The passage of the mythological hero may be over-ground, incidentally; fundamentally it is inward—into depths where obscure resistances are overcome, and long lost, forgotten powers are revivified, to be made available for the transfiguration of the world. This deed accomplished, life no longer suffers hopelessly under the terrible mutilations of ubiquitous disaster, battered by time, hideous throughout space; but with its horror visible still, its cries of anguish still tumultuous, it becomes penetrated by an all-suffusing, all-sustaining love, and a knowledge of its own unconquered power.As I’ve continued reading, more passages have jumped out in relationship to the tarot. Here are two more pieces referencing the Hanged Man and the Moon (which I found especially powerful and insightful).
The Hanged Man
[The Buddha experiencing perfect englightenment] is the most important single moment in Oriental mythology, a counterpart of the crucifixion of the West. The Buddha beneath the Tree of Enlightenment (the Bo Tree) and Christ on Holy Rood (the Tree of Redemption) are analogous figures, incorporating an archetypal World Savior, World Tree motif, which is of immemorial antiquity. Many other variants of the theme will be found among the episodes to come. The Immovable Spot and Mount Calvary are images of the World Navel, or World Axis.
Typical of the circumstances of the call are the dark forest, the great tree, the babbling spring, and the loathly, underestimated appearance of the carrier of the power of destiny. We recognize in the scene the symbols of the World Navel. The frog, the little dragon, is the nursery counterpart of the underworld serpent whose head supports the earth and who represents the life-progenitive, demiurgic powers of the abyss. He comes up with the golden sun ball, his dark deep waters having just taken it down: at this moment resembling the great Chinese Dragon of the Kast, delivering the rising sun in his jaws, or the frog on whose head rides the handsome young immortal, Han Hsiang, carrying in a basket the peaches of immortality
The disgusting and rejected frog or dragon of the fairy tale brings up the sun ball in its mouth; for the frog, the serpent, the rejected one, is the representative of that unconscious deep (“so deep that the bottom cannot be seen”) wherein are hoarded all of the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence. Those are the pearls of the fabled submarine palaces of the nixies, tritons, and water guardians; the jewels that give light to the demon cities of the underworld; the tire seeds in the ocean of immortality which supports the earth and surrounds it like a snake; the stars in the bosom of immortal night. Those are the nuggets in the gold hoard of the dragon; the guarded apples of the Hesperides; the filaments of the Golden Fleece. The herald or announcer of the adventure, therefore, is often dark, loathly, or terrifying, judged evil by the world; yet if one could follow, the way would be opened through the walls of day into the dark where the jewels glow. Or the herald is a beast (as in the fain’ tale), representative of the repressed instinctual fecundity within ourselves, or again a veiled mysterious figure—the unknown.
I plan to continue to annotate and collect these bits and pieces as they pop out at me and post them here. Enjoy!